Director Kamiyama supplied us with the original drawing, which we scanned onto a computer and then converted into 3D data, using modeling software on every single skeletal part and feather. The final count was 213 parts!. We spent the most amount of time on the element that Mr. Kamiyama had paid the most attention to: the visual effects that really brought out the aura of a fossilized angel.
February 2013. Design meeting at the studio of production I.G Menmber: Tomohide Kamei / Tokyo Otaku Mode CEO Tomohiko Ishii / Producer Kenji Kamiyama / Animation director Masakazu Ito / Dr MONROE designer
The original painting by Kenji Kamiyama wrote for collaboration project.